The Kurdish lover


The Kurdish lover is Oktay, a man of Kurdish origin with whom I share my life. We have been drifting through a devastated region brought to a standstill by war and economic misery. How do people manage to co-exist in this place? This is the question posed by the film.

Here we live in close proximity to one another, in a tightly woven network of geographical and social ties. Loving someone can become confused with having a hold over them. It is with an often black humour that the characters featured in this film find ways, within their community, to affirm that they truly exist.
A shaman goes into trance in front of the television, sex-starved hermit dreams of marriage, a ewe is sacrificed and eaten, an old woman prevents her daughter-in-law from learning to read, a shepherdess lives at the top of the mountain and would like to return to the valley, the military watch over the village, a man who came from Europe goes off to request the hand in marriage of a young girl living with her mother.
It is through these situations that we discover the reality of families doing what they can to find a way of living together, to take the best - or the worst - from each moment.




Clarisse Hahn


Clarisse Hahn (1973) is a French filmmaker. She pursues documentary enquiry through her films, photographs and video installations. Her documentaries are combined with her sustained involvement in the lives of the people she films. She follows her subjects for a minimum of one year; observing, filming, and becoming part of their daily life. She delves into the complex network of personal and communal values which bind people together. Hahn's documentaries come from her desire for intimate communication with her subjects. Her interests lie specifically in showing how individuals deal and react with their environment.